Reactions from our Audience

We received the following comments after our Sheherazade concert!

Bravo for a fantastic concert on January 15th! The Egmont is a transparent piece and was beautifully played. The SSO Principal clarinetist was amazing. The slow movement was exquisite. The Moncayo piece was so fun, different, rhythmically challenging & toe tapping. The Scheherezade showed off your wonderful musicians… the bassoon, flutes, clarinet, harp, percussion, brass, strings! Everynody contributed. Pam was a pro. Just fabulous. Fantastic. Beautiful sound! The whole concert was great. Really. I heard comments all around me praising you. ♡


Just to let you know (and please share this): I’ve been attending performances for about 15 years.  Last night was among the very best – possibly THE very best concert I’ve been to.  It was outstanding, every part.  The programming was marvelous, and I really appreciate the chance to hear Moncayo’s work.  It is so rewarding to be introduced to a composer whose music I knew nothing about. The audience’s reaction says it all, so I won’t go on, but I wanted to express my joy and appreciation for a memorable evening.


I just want to let you know that your concert last night, January 15, was absolutely magnificent! In fact, it was one of the most excellent I have ever attended. How wonderful not to have to fight the traffic and parking in Seattle to hear a topnotch orchestra.  We have it right here in our hometown of Edmonds. Thank you for a memorable evening. I look forward to your next event.


Dave and I loved the concert. What a privilege to be able to hear such great musicians in our community. Thank you and the entire orchestra.


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Felix Kim, Cello Soloist for Children’s Concert

Felix Kim will be performing the 1st movement of the Boccherini cello concerto in B flat major, G. 482 at the Children’s concert on February 10, 2018.

Felix Kim is in the eighth grade at Gateway Middle School where he enjoys math and tech classes. At age nine he started cello with his current teacher, Leslie Marckx. He also has weekly coaching sessions with pianist, Dr. Li-Tan Hsu. He enjoys playing in the Debut Symphony Orchestra in the Seattle Youth Symphony Orchestras. Last summer Felix attended the Indiana University Summer String Academy where he studied with Susan Moses. He has also performed in masterclasses for Hans Jørgen Jensen and Richard Aaron at the Seattle Young Artist Music Festival. Prior to learning cello, Felix was a member of the Northwest Boychoir where he performed on numerous occasions with the Seattle Symphony in Benaroya Hall. Other interests include earning a first degree black belt in Taekwondo, watching the Seahawks and Mariners, bike riding, family camping trips, playing video games and anything related to Star Wars and Legos.

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Reserved seating coming in 2018-19 season

Announcement banner: Reserved seating comingIn May 2018, when season ticket sales for the 2018-19 season begin, you will be able–for the first time ever–to reserve your favorite seats!

You will no longer need to wait in line, hoping to be able to claim those seats.

Ticket prices will remain the same and Early Bird discounts will still apply.

Beginning in March, detailed information will be available in the concert program and on the CSO website,

Rest assured that we will do everything we can to simplify the process and honor your requests.

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Holiday Concert Program Notes

Festival Fanfare for Christmas

John Wasson

Born – 1956 in St. Paul, Minnesota

This piece was commissioned and debuted by the Dallas Symphony Orchestra for their Christmas gala in 2000.

Trombonist and founder of Dallas Brass, John Wasson began his career by arranging music for his high school band. As a popular composer for wind and brass ensembles, he has composed and arranged for a variety of organizations, including the Dallas Cowboys, National Geographic, the U.S. Airforce Band and the Salvation Army. He currently performs with his jazz ensemble and creates music for various worship settings in the Dallas area.

Following a triumphant opening fanfare, Oh Come All Ye Faithful and Joy to the World are combined in a series of duets and eventually involving the entire orchestra.

 Three Dances from The Bartered Bride

Bedřich Smetana

Born – March 2, 1824 in Litomysl, Czech Republic

Died – May 12, 1884 in Prague, Czech Republic

This piece was debuted at the Provisional Theater in Prague on May 30, 1866.

Although independent for only 50 of the past 400 years, the small Czech Republic – formerly Czechoslovakia and earlier, Bohemia – has always been fiercely proud of its culture and has produced a surprisingly large number of excellent musicians and performers.

As a wave of nationalism swept through most of Europe at the beginning of the 19th century, Smetana sought to represent the Czech culture in his compositions. The Bartered Bride, his second opera, contains folk songs and traditional dances, and tells the comic story of a pair of young lovers who must outwit the village matchmaker, their parents and the bride’s fiancée in order to be together.

In his revision of the opera, Smetana added three traditional Czech dances: a Polka accompanies the joyous villagers; the Furiant occurs in a bar and features syncopated rhythms – sometimes in two, sometimes in three; and a Skocna, literally a “jumping dance”, portrays carnival acrobats.

Smetana inspired a future generation of Czech composers, including a young orchestral violist who played at the opera’s premiere – Antonín Dvořák.

Christmas Festival, Forgotten Dreams, and Song of the Bells

Leroy Anderson

Born – June 29, 1908 in Cambridge, Massachusetts

Died – May 18, 1975 in Woodbury, Connecticut

Christmas Festival was composed in 1950, Song of the Bells in 1951, and Forgotten Dreams in 1954. From 1950 to 1962, all of Leroy Anderson’s pieces were premiered by his own recording ensemble for Decca Records.  

Leroy Anderson, a Harvard alumnus fluent in nine languages, was a linguist specializing in Scandinavian and German languages at the Pentagon. In addition to serving in the military, composing and directing the Harvard Band, Anderson played the trombone and studied the double bass while earning his Bachelor’s degree from the New England Conservatory. Best known for his catchy tunes and playful orchestrations, he wrote and arranged pieces for studio orchestra as well as for Arthur Fiedler and the Boston Pops.

Christmas Festival, composed at the beginning of Anderson’s career, is a medley of Christmas favorites. Forgotten Dreams was written for piano and orchestra, and its theme was used on several televised programs, most notably Eyewitness News in the 1970’s. Song of the Bells is a smooth, almost Viennese waltz interrupted by two brief jazzy sections and featuring an unusual duet for chimes and bells. Anderson’s signature style is evident in all three pieces, with folk music and creative orchestral effects.

Italian Street Song

Victor Herbert

Born – February 1, 1859 in Dublin, Ireland

Died – May 26, 1924 in New Haven, Connecticut

This aria is from the operetta Naughty Marietta, which debuted October 24, 1910 in Syracuse, New York and on Broadway on November 7 of that year.

Victor Herbert bridged the gap between the Viennese operettas of Franz Lehár and Johann Strauss and the Broadway musicals that became a part of the American musical fabric in the 1930s. He began his career in America as a cellist in the Metropolitan opera, where he solidified his love of opera and became a prolific composer. He often worked on two compositions side by side or wrote orchestral parts without bothering to pen a score.

Naughty Marietta is set in 1780 New Orleans. Arguably his most popular work, it tells the story of Captain Warrington who attempts to capture the notorious French pirate, Bras Pique, and the mischievous Countess Marietta who helps – and hinders – his progress. At the end of the first act, Marietta, disguised as the son of an Italian puppeteer, performs the Italian Street Song to distract the townsfolk.

Meine Lippen sie Küssen so Heiß from Juditta

Dein ist mein ganzes Herz from Land of Smiles

Franz Lehár

Born – April 30, 1870 in Komárno, Hungary

Died – October 24, 1948 in Bad Ischl, Germany

The operetta, Land of Smiles, premiered at the Metropol Theater in Berlin on October 10, 1929. Lehar conducted the premier of his final opera, Juditta, at the Vienna State Opera on January 20, 1934.

During the final years of the Austro-Hungarian Empire, Vienna was a rich cultural center with a high demand for music, operas, and entertainment.

Following violin studies at the Prague conservatory, Lehár served as the bandmaster for the Austro-Hungarian Army and Navy, eventually finding employment in Vienna, where he composed operettas. In Juditta, the title character leaves her country home to become a nightclub dancer in North Africa, and in this song – translated as “My lips, they give so fiery a kiss” – she pretends to have no idea why she is so alluring to men.

The bittersweet ending of Land of Smiles made it a favorite with Viennese audiences. Set in China in 1912, the operetta tells the story of a Viennese countess who marries a Chinese prince but is unable to overcome the culture shock of living in Peking. When she leaves her husband to return to her Austrian homeland, the prince sings of his undying love for his wife.

Lehár wrote “You are my Heart’s Delight,” for Richard Tauber, who performed it for the Berlin premier.

Christmas at the Movies  –  Music from Five Classic Holiday Films

Arranged by Bob Krogstad

This holiday medley includes music from five classic Christmas movies. “Somewhere in my Memory”, from the 1990 film, Home Alone, was composed by John Williams, who also scored Star Wars, Harry Potter, E.T., and Indiana Jones.

“Where are you, Christmas?” was part of the first Dr. Seuss film, How the Grinch Stole Christmas. James Horner, best known for Titanic and Avatar, composed the score.

The 1947 film, Miracle on 34th Street, won five academy awards and is preserved in the National Film Registry for its cultural significance. The score was composed by Cyrl J. Mockridge, who also wrote music for Cheaper by the Dozen and the 1955 film, Guys and Dolls.

“The Polar Express” from the 2004 film of the same name, was scored by Alan Silvestri, who also wrote for Cast Away, Back to the Future, and Forrest Gump.

Danny Elfman composed the music for Batman, Edward Scissorhands, Mission: Impossible, and Big Fish. His “Making Christmas” was written for Tim Burton’s 1993 Halloween/Christmas crossover film The Nightmare Before Christmas.

Radetzky March

Johann Baptist Strauss

Born – March 14, 1804 in Vienna, Austria

Died – September 25, 1849 in Vienna, Austria

The Radetzky March was written to commemorate the victory of Feldmarschall Radetzky over the Italians and was debuted on August 31, 1848 in Vienna.

Johann Strauss Sr. was often at odds with his son. Although he encouraged all of his sons to be businessmen, all three gravitated toward musical careers. During the series of European revolutions that started in Vienna in 1848, Johann Jr. sided with the revolutionaries who opposed the autocracy of the Austrian Chancellor Metternich, while his father supported the established order of the monarchs.

Dedicated to Austrian Feldmarschall Radetzky, this march was first performed for Austrian Army officers, who, upon hearing the refrain, stomped and clapped in time to the music, a tradition that continues today. More festive than militant in nature, this piece has been used all over the world for every imaginable occasion – in department stores, military schools and the annual New Year’s concert in Vienna.

Explosion Polka

Johann Strauss II

Born – October 25, 1825 in Neubau, Austria

Died – June 3, 1899 in Vienna, Austria

Written for a benefit concert called the Joyful Explosions Festival, the Explosion Polka premiered at the Josefstädter Theater on February 8, 1847.

After the discovery of nitrocellulose by German scientist Schönbein in 1840, news of this explosive compound made the rounds in Vienna. The Viennese public was delighted that many products could be made “explosive ” – apparently even polkas! Strauss caught onto the trend and wrote one of his most bombastic pieces- with many musical outbursts.



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October 2017 Program Notes

Spanish Dance No.1 from La Vida Breve

Manuel De Falla

Born – November 23, 1876 in Cadiz, Spain

Died – November 14, 1946 in Alta Gracia, Argentina

The opera, La Vida Breve (Life is Short), was debuted on January 7, 1914 at the Théâtre National de l’Opéra-Comique in Paris.

The early decades of the 20th century were critical for Spain’s entrance into the European classical arena. During this time, France and Spain were developing a unique bond in which Spanish composers infused “sophisticated” French music into their more traditional folk idiom. The influence of Debussy, Ravel, Dukas, and Stravinsky refined De Falla’s compositional style, yet the enthusiasm and color from his Spanish roots were never dimmed.

De Falla studied music in Madrid and wrote his first major work there, an hour-long opera in two acts about the doomed affair of a passionate gypsy girl and her more refined -and unfortunately engaged – man of her dreams. The opera won first prize in a competition at the Academia de Bellas Artes in Madrid, but after the promise of a debut fell through, De Falla moved to Paris in hope of a more fruitful musical atmosphere. The bustle of workers and the ringing of the blacksmith’s anvil adds local flavor to De Falla’s lively opening village scene.

Elegie & Finale from Serenade for Strings

Peter Illich Tchaikovsky

Born – May 7, 1840 in Votkinsk, Russia

Died – November 6, 1893 in Saint Petersburg, Russia

This piece was written in 1880 and premiered on October 30, 1881 in Saint Petersburg, conducted by Eduard Napravnik.

In the latter half of 1880, Tchaikovsky began work on two extremely contrasting pieces. Commissioned for the unveiling of the Pushkin memorial, the 1812 Festival Overture was a “loud and noisy” work he claimed to be lacking any “warm feeling of love.” To the contrary, his Serenade for Strings was written from “inner compulsion, a piece from the heart.”

A performance of Mozart’s Don Giovanni had introduced ten-year-old Tchaikovsky to the deep emotional power of music, and he wrote this Serenade with classical form in mind in homage to Mozart’s serenades.

The Elegie opens with a unison chorale theme that becomes more complex as it is passed around the orchestra. Delicate counterpoint floats above the melody in the violas, and later the somber and reflective theme is reiterated in the richness of the lower strings. In the Finale, a slow song of the Volga boatmen gives way to a bright folk tune, evolving in charming, unexpected ways before the regal conclusion.

El Camino Real

Alfred Reed

Born – January 25, 1921 in New York City

Died – September 17, 2005 in Miami, Florida

This piece was commissioned and debuted by the 581st Air Force Band on April 15, 1985 in Sarasota, Florida.  

With over 200 works to his name – many of them for wind ensemble and concert band – Alfred Reed is one of America’s most prolific composers. At the time of his death, Reed had enough commissions to keep him busy until age 115!

During World War II, Reed played trumpet in the Air Force Band, and following his service he returned to study composition at Juilliard. He later became a music arranger for NBC and ABC, the conductor of the Baylor Symphony Orchestra, and the executive director of Hansen Publications, a music publishing company.

Subtitled A Latin Fantasy, Reed’s El Camino Real, (or “The King’s Highway”) perfectly captures the Latin and Spanish idiom. Inspired by the chord progressions of Spanish guitarists, it explores flamenco rhythms and harmonies. The opening Jota is a brilliant, fiery dance and the contrasting middle section invokes a Fandango.

Violin Concerto No.1

Max Bruch

Born – January 6, 1838 in Cologne, Germany

Died – October 2, 1920 in Berlin, Germany

This concerto was first performed on April 24, 1866 in Koblenz by violinist Otto von Königslow with Bruch, himself, conducting. The official premier of the revised version occurred on January 5, 1868 in Bremen with violinist Joseph Joachim and Karl Martin Rheinthaler conducting.

Born only five years after Johannes Brahms, Max Bruch was a prolific composer of three symphonies, three operas, three violin concertos, and approximately a hundred works of choral and chamber music. Of all of these, his Violin Concerto in G minor is the most well known. After a less than satisfactory debut, violin virtuoso Joseph Joachim helped Bruch with revisions and commented that of the four great German violin concertos – Beethoven, Brahms, Mendelssohn, and Bruch – this was the “richest and most alluring.”

The form is non-traditional and the improvisatory stylings of the first movement set a fantasy-like mood, but the dialog and importance of the orchestra sets it apart as a concerto. As in the opening of Mendelssohn’s violin concerto, the soloist begins playing immediately. In the second movement, three beautiful themes are developed almost entirely by the soloist, except for a brief orchestral interlude in the middle. The lively third movement brings to mind a Brahms Hungarian dance, although Bruch’s concerto preceded Brahms’ violin concerto by ten years!

Symphony No.7, op. 131, in C sharp minor

Sergei Prokofieff

Born – April 23, 1891, in Sontsovka, Ukraine

Died – March 5, 1953, in Moscow, Russia

Prokofieff’s final symphony was composed in 1952 and debuted on October 11 of that year in Moscow.

Commissioned by the Soviet Children’s Radio Division and frequently dubbed the “Simple Symphony,” Prokofieff‘s final major work was composed with a younger audience in mind. Although his reputation was that of an incomprehensibly modern pianist, his special skill was composing mature and charming music for children, including Peter and the Wolf and a set of 12 piano pieces titled Music for Children. At the time of the commission, Prokofieff was living in poverty and near starvation; his first wife had been arrested and exiled to Siberia, and Prokofieff, himself, was held in contempt for composing music not up to Stalin’s patriotic standards. The thought of writing for children re-kindled his nearly broken spirit.

The symphony alternates between two moods: one innocent and frivolous, the other ominous and fearful. In the first movement, a sinister murmuring introduces a nostalgic theme in the strings. Later, a “simple” theme presented by the flute and glockenspiel shines a ray of hope before the movement ends – again in minor.

Harkening to his ballets, the second movement is an imaginative waltz with comic bassoons and skittering strings. Some of Prokofieff’s most unabashedly sentimental music follows in the third movement, alternating dream and nightmare. The final movement mixes elements of dancing, marching and the earlier flute and glockenspiel theme, coming to an enigmatically quiet end. A few optimistic measures added to placate Soviet artistic demands were never intended to be published.



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Michael Miropolsky, featured speaker at Edmonds Chamber of Commerce Breakfast

Michael Miropolsky spoke at the Edmonds Chamber of Commerce Breakfast meeting on Wednesday, September 13th where he talked about his life in Russia and his immigration to the United States in 1990.

Norma Dermond. principal cellist and one of three original members of the Cascade Symphony Orchestra,  introduced Cascade Conductor, Michael Miropolsky.

Maestro Miropolsky answering questions at the conclusion of his talk.

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Pamela Liu, CSO Concertmaster, performs at Cascade Art Museum

Cascadia Art Museum will present the final concert in their summer series of “Music in the Museum” on Saturday evening, August 19 at 7 PM. The Willow Trio will perform “An Evening of Chamber Favorites” in Cascadia’s Central Gallery.

The trio musicians are Erika Pierson (cello), Pamela Liu (violin) and Judy Huehn (piano). The program features work by Franz Schubert, Joseph Hayden, and Astor Piazzolla (of Argentina), among others.

Tickets are $10 for museum members and $15 for non-members. Tickets are available on the museum website, via telephone (425-336.4809) or at the museum visitor desk during regular hours. Tickets are limited.

Artist Biographies:

Erika Pierson, cell0, earned her Bachelor’s Degree of Cello Performance from Indiana University and her Master’s of Music Performance from University of Michigan. Between her degrees, during three years in Europe, Erika studied in Berlin, at the Hochschule der Kunste, and then studied privately under Eileen Croxford in London. In 2001, she was invited to perform at the Manchester International Cello Festival. Her other main teachers have included Richard Aaron, Tsuyoshi Tsutsumi, Markus Nyikos, and Erling Blondal Bengtsson. Erika has given solo recitals in England, Germany, Spain, and in the United States, and has performed as featured soloist with orchestras in Berlin, Ann Arbor, and Everett, WA.   On the less classical side of things, she has also performed with Mannheim Steamroller, Rod Stewart, the Walkmen, and Deltron 3030. Currently Erika performs regularly as a chamber musician, the newly formed NOCCO Chamber Orchestra, and freelances and teaches in the Seattle area.

Pamela Liu, violin, has been in demand as a performer and pedagogue since returning to the Northwest six years ago. She received her Bachelors in Violin Performance at the Shepherd School of Music at Rice University, and was a member of the Evergreen Symphony Orchestra in Taipei, Taiwan, before attending the University of Washington where she received a Masters Degree in Violin Performance. A devoted mentor to young musicians, Ms. Liu coaches and teaches with The Academy of Music Northwest, the Seattle Youth Symphony Orchestras, and Musicworks Northwest. As an active performer, Ms. Liu is the concertmaster of the Cascade Symphony, section member of the Yakima Symphony, and part of the violin-guitar duo, Tutti Dolce, with husband Chris Liu.

Judy Huehn, piano, is an active piano teacher, accompanist and performer on the Eastside. She holds a B.M. and M.M. from the San Francisco Conservatory of Music where she studied solo piano with Justin Blasdale, Mack McCray; and chamber music with Mark Sokol. Judy grew up in Vancouver, B.C. and began her piano studies at the Vancouver Academy of Music and later obtained the Royal Conservatory of Music diploma, A.R.C.T. She has participated in chamber music festivals in Italy and France and competed as a two piano duo with her friend, Ekaterina Gueorguieva in Italy and Japan. Upon settling in Redmond since 2005, Judy has enjoyed collaborative projects with Emerald Ballet Theatre, adjudicating for music festivals and competitions, accompanying for choirs, and teaching in her private studio.

FRANZ SCHUBERT                                                                (1797-1828)

Nocturne in Eb Major   (Adagio)   (1827)                              Op. 148

JOSEPH HAYDN                                                                     (1732-1809)

Piano Trio No. 19 in F Major                        (1784)               Hob. 15/6

ASTOR PIAZZOLLA   (Argentina)                     (1921-1992)

Otono Porteno (Autumn)             (1969)



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Concertmaster, Pamela Liu, at Cascadia Art Museum

Cascadia Art Museum concert 8.5 x 11 flyer 7.5.17

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Soloist: Marley Erickson, violin – Russian Arc – October 23, 2017

Since making her solo orchestral debut at age 11, Marley Erickson has appeared as
soloist with the Seattle Symphony Orchestra, L’Accademia d’Archi Arrigoni, Mitteleuropa Orchestra, Ottawa Chamber Orchestra, Orchestra of the University of Music FRANZ LISZT Weimar, and the Port Angeles Symphony Orchestra.

Marley was a laureate in the 2016 Piccolo Violino Magico International Violin Competition, and subsequently performed a solo concert series in Northern Italy. In 2016 She also competed in the Menuhin International Violin Competition, and was awarded third place in the Louis Spohr International Violin Competition. By invitation of composer John Adams, Marley performed on the Los Angeles Philharmonic’s 2016 Green Umbrella Series, where she received a standing ovation at Disney Concert Hall and critical acclaim for the North American premiere of Oscar Colomina i Bosch’s Shpigl. She was selected as a Student Artist to perform in the 2017 Starling-DeLay Symposium on Violin Studies at the Juilliard School. By invitation of the Kronberg Academy, Marley was a participant in the 2017 chamber music workshop “Mit Musik-Miteinander.” Marley recently produced and performed a full concert program on the Local Artist Series at Whidbey Island Center for the Arts, which included the world premiere of Canto One by Jerry Mader.

Ms. Erickson has been a participant in the Cambridge International Strings Academy, the Brian Lewis Young Artist Program, Encore Chamber Music Academy, Japan-Seattle Suzuki Institute, and has been a member of the Seattle Youth Orchestras. Marley currently studies violin in Seattle with Simon James and piano collaborator Hiro David. She has worked with, among others, Paul Kantor, Tasmin Little, Brian Lewis, Gerardo Ribeiro, David Halen, Leila Josefowicz, Robert Lipsett, Stephen Shipps, Keng-Yuen Tseng, Hu Kun, Robert McDuffie, Danielle Belen, Rodney Friend, Friedemann Eichhorn, and James Ehnes.

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Soloist: Kristin Vogel – Holiday Pops! – December 10 and 11, 2017

Acclaimed for her powerful lyric voice, her intensity onstage, and her well-honed vocal technique, Soprano, Kristin Vogel has been honored in multiple international competitions, and is sought for roles that require dramatic passion and sensitive musicality.

This season Ms. Vogel sang the role of Mimi with Tacoma Opera and will join the Utah Festival Opera this summer asthe title role in Madama Butterfly and the Soprano Soloist in their performance of Verdi’s Requiem. 

Ms. Vogel recently sang her first Nedda in I Pagliacci with St. Petersburg Opera in Florida, her first Donna Anna in Don Giovanni with Asheville Lyric Opera, and many Mozart heroines in a series of “3 Divas” concerts with Northwest Sinfonietta in Seattle, Tacoma, and Puyallup.

This past season Ms. Vogel jumped in last minute to sing the Soprano Solos in Mozart’s “Requiem” with the Bellingham Concert Chorale and traveled to Montana to sing the soprano solos in Beethoven’s Missa Solemnis with the Helena Symphony Orchestra, where she previously sang “Una Poenitentium/Gretchen” in Mahler’s 8th Symphony. Ms. Vogel’s additional symphonic repertoire includes the soprano solos in Beethoven’s 9th and Mahler’s 2nd Symphonies, Mozart’s Requiem, Debussy’s Cinq Poèmes de Baudelaire, and Aaron Copland’s orchestrated Poems of Emily Dickinson, and she frequently performs with Seattle’s Inverted Space Modern Ensemble. Next season Ms. Vogel will be featured as the Soprano Soloist in MGA Productions mounting of Verdi’s Requiem in New York City.

Originally from Texas, Ms. Vogel earned her master’s degree from Manhattan School of Music and her bachelor’s degree from the University of Southern California, and has sung with high-profile young artist pro-grams at Des Moines Metro Opera, the Natchez Festival of Music, the Utah Festival Opera, and others. Ms. Vogel is now completing her doctorate at the University of Washington, and she spent spring 2015 in Vienna researching her dissertation as a recipient of the prestigious Fritz Fellowship.

Other recent performances include Pamina in The Magic Flute and Marguerite in Faust with Boheme Opera New Jersey, Rosalinda in Die Fledermaus and Lady Billows in Albert Herring at the University of Washington, Donna Elvira in Don Giovanni with the Natchez Festival of Music, and cross-over, Americana, and operetta repertoire with Mosaïque in Vienna, Austria.

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